Yet Another Reason to Root Against the Nets

I'm not going to go into all the many, many ins-and-outs of the highly contentious Atlantic Yards development project, which consists of a new arena for the New Jersey Nets and 16 residential/office towers right in the heart of Brooklyn. For a full reckoning, take a look over here. By my unofficial tally, however, there are probably 1,000 or so reasons to be against the project. But until developer and Nets owner Bruce Ratner had the gaul to fire architect Frank Gehry in favor of Ellerbe Becket, the architectural equivalent of trading Michael Jordan for Kerry Kittles, nobody of institutional import dared to chime in against Ratner's plan. Enter the New York Times, whose line in the sand is, apparently, bad architecture:  

In a stunning bait-and-switch, Forest City Ratner (which was the development partner for The New York Times Company’s headquarters in Midtown) has now decided that it can’t afford an architect of Mr. Gehry’s stature. Neglecting to tell the public, the firm went out months ago and hired Ellerbe Becket, corporate architects known for producing generic, unimaginative buildings. And although it has refused to release details of the design, the renderings, obtained by The New York Times, tell you all you need to know.

A massive vaulted shed that rests on a masonry base, the arena is as glamorous as a storage warehouse. A rectangular window overlooks Atlantic, but without the other buildings it lacks the sense of mystery and surprise that was such an essential part of the Gehry design. A trapezoidal brick and glass box at the corner of Atlantic and Flatbush is obviously intended as an echo of Gehry’s public space. But Gehry’s room, several stories tall, soared over the intersection. Ellerbe Becket’s, lower to the ground, just sits there, adding nothing.

Building this monstrosity at such a critical urban intersection would be deadly. Clearly, the city would be better off with nothing. But what’s at issue here is more than the betrayal of a particular community, as tragic as that could be. It is the way the city makes decisions about large-sale development.

Forget about displaced residents; save the architects.